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Gordon Matta-Clark, Food, 1974 © The Estate of Gordon Matta-Clark / Artists Rights Society (ARS), New York Courtesy The Estate of Gordon Matta-Clark and David Zwirner
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Gordon Matta-Clark, Food, 1974 © The Estate of Gordon Matta-Clark / Artists Rights Society (ARS), New York Courtesy The Estate of Gordon Matta-Clark and David Zwirner
Jesús Rafael Soto, "Untitled," 1965. Wood and steel construction, 41 3/4 x 41 3/4 x 1 1/2 in. (106.05 x 106.05 x 3.81 cm). 1967.155. Bequest of Louis Schapiro, Boston.
Gordon Matta-Clark, Graffiti Photoglyph,1973 © The Estate of Gordon Matta-Clark / Artists Rights Society (ARS), New York Courtesy The Estate of Gordon Matta-Clark and David Zwirner
MIND WARP: THE BIBLE uses sequences of intricately composed pieces that are cut up into frames, allowing for a constantly shifting of the point of view and constant adjustments to the compositions.
OTHERWORLDLY: The neon, glittery, bright and 3-D imagery in the film make for a vibrant experience from start to finish.
LOST IN SPACE: The film uses many sequences of that portray mannequines, creating a sense that it is both real and crafted.
MIND WARP: THE BIBLE uses sequences of intricately composed pieces that are cut up into frames, allowing for a constantly shifting of the point of view and constant adjustments to the compositions.